Cats and me we go way back. Aged two, and Lion number 1; the fam were on a camping holiday in Europe, we went to Barcelona zoo where, as a tiny tot I managed to breach the fence and get into the lion’s enclosure. Cue a security alert and my mother losing her shit while wardens went in with precautionary stun darts, to whisk me out.
Dinner Time
Years later we had a tabby cat show up with its face pressed against the French doors. I’d been begging my 11-year-old arse off to try and persuade my parents to let me have a cat, they’d stoically declined. We’d had goldfish, budgies (which are seriously boring btw) and a hamster which had escaped, chewed through an electric cable and fused the boiler. My father in a bid to save her little life, dosed her up with half a Junior Disprin and some whiskey administered from a thimble. Still not responding he proceeded to give it heart massage, aka prodding gently with his finger. Right… we all know how this ends, she carked it. So armed with a family ability to not look after pets so well, my incessant bidding was declined.
But by now the cat distribution system had spoken, and there she was miaowing at the drawing room windows. ‘You’re not to feed her, you’ll encourage her,’ was the stern warning. I went off to school and so this went on for several days, me rushing home to see if she was still at the windows, looking hopeful. Then one day I got back from school a bit early, it was summer so I popped open the fridge in search of something cool to drink and oh my days there in the door was not only a can of cat food, but it was open and half empty. Hmm… didn’t take Sherlock Holmes to suss that someone was feeding the cat. The story didn’t stop there, turned out my papa was feeding her out of the boot of the car and my mother had said can on the go in the fridge. Anyway, Matilda, and for this story, the half lion, was with us for many years, as you’ve no doubt worked out, she was shortly allowed inside … forever.
Time passed and several cats later, as clearly one wasn’t enough, and while working for a tea company in my 40’s, I came up with a stellar idea to set up a charity arm to my employer and give back to the part of the world from where the tea originated: southern Africa. I was responsible for setting up a fundraising campaign which ran in various guises for 16+ years, raised money for boreholes for 10 villages for the Kalahari Bushmen, a school, an art & literacy project amongst others, and I had some of the most incredible life changing adventures in Namibia and Botswana. On one of them I was with a group from Barclays who were on a leadership management team building thing, during which we visited an art project in Botswana. I’d seen some of their work online before we went out, but seeing it in real life, meeting and talking to the artists, left a massive impression on me.
Gamnqoa Kukama at work
Art is something that should make you feel something whether it is laughter, tears or OMG that belongs in the charity shop up the high street. Feel something you should. I did. As I sat talking to them and looking at their work stacked against the walls of the tin roofed studio in ridiculous heat, I made them a promise – to not only come back but also to bring their art to London for an exhibition and tell their stories.
Ancient Bushman Rock Art – Cederberg Mountains, South Africa
It took a while to persuade the boss and also make a couple more trips out to build a set of paintings and lino prints, to fill an exhibition. Along the way I also discovered an art project in a township in South Africa, they make incredible pieces using tea bags. Well that was too good an opportunity to miss and so I got them a ton of tea bags sent direct from our supplier in South Africa and we began working on some ideas to incorporate them into the exhibition. Now before lion number 3 comes along, I need to tell you about lion number 2, need to keep this stuff in sequence and all that.
It was after one of my trips to Botswana and I was doing the long drive south from Ghanzi to Gaberone, for my flight. If you’ve ever driven over there, you’ll know those endless roads, and much of Botswana sits on a flat plain. The roads are unlit and animals from donkeys to you’ve guessed it, wander around and cause some horrible accidents, particularly in the dark.
One of those long dusty Botswanan Roads (cow subbed for lion)
I was trying to reach Gaborone before dusk, but after a day at the project I was really hungry so I stopped to buy a bucket of chicken wings and some cola. Rather than eat inside I quickly ate a few in a lay-by a little further down the road. Picture a lovely warm African evening, and I was eating my wings and watching the sunset in my rear-view mirror, and the driver’s window was down to let in the slowly cooling air. Something caught my eye, just moving almost out of view. Now a lot of wildlife has been perfectly created to blend in with their natural surroundings, lions not being any different. A quick glance and I couldn’t see anything more than some wafting grass. Back to the chicken and then …OMAFG there she was right by the door, (window still open btw) and eye-balling me and the chicken. She was a stunning adult and hungry lioness, and as much as I wanted to stop, take a photo and enjoy being that close to her, I donated the chicken at speed out the window and hit the pedal. I didn’t so much as stop for a pee all the way to Gaborone.
Now then, lion no. 3… back to the tea bags, and Imizamo Yethu, in Hout Bay. They were going to produce some large pieces of art for us and would be shipped over to London in time for the exhibition. But as, and I believe these things happen for a reason, I was contacted by another charity, one that works with lion rescue and protection. They were about to do a fundraiser with a set of around 30 life size lions; would we like to support one? Didn’t take me long to say yes and as luck would have it (no coincidences in this story), they were being produced in South Africa. Rooi as he came to be known (meaning red in Afrikaans, like the colour of tea) was delivered to the tea bag art project, and while I was kept up to date with the design and it’s creation, what arrived in London (thank you Kenyan Airways for flying it back to London for us), was incredible. Rooi took a focal point in the art exhibition and his auction on the opening night raised thousands of pounds, in addition to the quite beautiful collection of wildlife paintings from Botswana.
The Beautiful Lion, ‘Rooi’ at the Bushman Art Exhibition.
Bushmen believe that during their trance dances, shapeshifting into a lion’s form is one of the most powerful and spiritual forms they can take. They believe that they turn into an actual lion, travelling between the heavens and the earth. The exhibition focused on the importance of wildlife to the San peoples across Namibia and Botswana, and as one of them told me, ‘Wildlife is part of who we are, our art lifts us out of the darkness.’
‘Hush, my darling, don’t fear my darling
The lion sleeps tonight’
Originally written in the Zulu language, The Lion Sleeps Tonight was recorded by Solomon Linda in 1939 in South Africa, but called ‘Mbube’. It wasn’t until the 1960’s that it became a global hit with a new title, by The Tokens
Write Up My Street 
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