(Live without fear) This post has been a very long time in the making, not just typing it out and composing the words but also having it quite certain, or as certain as it can be in my head. I’ll take you back a few years first; About 21 years ago I bought a little apartment in Italy, it’s part of a 12th Century castle and it’s all it should be with beams, tiled floors, a leaky toilet cistern, a fireplace and a view out onto a garden filled with lavender, rosemary and olive trees. I can still remember the first time I saw the place; I was with a friend from work who had come along with me on my viewing trip to Umbria. We drove around some winding mountain roads and as we turned a corner, to one side was a stunning medieval hill town with the valley in the distance, perched on top of a rocky outcrop, like something other worldly, but to the other side, was a tiny bell tower on top of a hill.
That bell tower, built by Franciscan monks and housing a bell brought from Rhodes (so the story goes) belonged to the castle, and it was a little more than love at first sight (rose tinted specs went right out the window). It all began even further back, following a short lived marriage and once the dust settled on the divorce papers, I realised I needed to make some kind of future proof investment. Or at least buy part of a castle in Italy. I opted for the latter. Every year since, apart from the unmentionable joy that was Covid, I have been over at least once. It was the first place I wanted to be once I’d recovered from breast cancer and not surprisingly after a couple of years of more recent life ups and downs, the place I want to be at most of all. It has something magical about it, it rebalances my brain and rebolsters my supply of shoes. I’ve been there enough now to have chucked the pink tinged glasses in the bin and stopped a long time ago from wondering why the DIY shops are shut on Saturday lunchtimes, when surely that’s when they do most business. I only needed telling once, ‘well they have to eat’ was the stellar reply. A country where they take their food seriously and also use, believe it or not very few fresh ingredients to create some of the best food in the world. Plus also, of course some lyrical inspiration from George.
‘In the absence of security, I made my way into the night’ – George Michael
And so, I made an enormous and life changing decision to move to Italy, for good. I completed on the sale of my house last month, loaded everything apart from a car full of luggage plus my cats, into a lorry and moved myself into a little flat for a couple of weeks while the cats underwent all their EU vaccinations and AHC’s. Then, we boarded LeShuttle and started a 2 ½ day, one way, road trip to Umbria. I had my last hair cut at the salon I’ve been going to for over 20 years, said goodbye to friends and family (who I am fully expecting to visit asap) and we headed into what was to be one of many tunnels. Night one was in Nancy, a fairly basic hotel, I just about fitted my case and two cats in. Zero sleep that night, and the next day dragged into a further series of tunnels as we snaked our way across that corner of France. The Vosges mountains couldn’t be dented by the rain and drizzle as we crossed into Switzerland. Weirdly Switzerland isn’t what I expected, or at least all the bits I saw. More or less every valley was occupied by a pharmaceutical factory, these things are vast and the towns were less than idyllic, that is until we swung through the last of the next batch of (yes, you’ve guess it…) more tunnels. I also discovered the role of being in the front passenger seat in a RHD vehicle; you’re chief in charge of toll booth tickets and payments.
Somewhere in Switzerland
Since arriving it has been to say the least a week of unexpected light and the sadness of the death of Pope Francis. Let’s hope the next one fills his well-worn shoes, I won’t say who my Euros are on, in case I jinx it.
Conclave starts on May 7th.
I’ve made a restart (after last summer) on house or flat hunting, seen a few definite no’s and one possible contender. The cats are slowly settling in, although living in a medieval castle is at times quite noisy, all those hard terracotta tiled floors carry every sound from your neighbours. One of the cats keeps hiding in the wardrobe while the other is a little braver and has realised, she can jump off my hand painted cupboard and land squarely on my bladder first thing in the morning. The spring festivals are underway and so far, cheese, tulips and asparagus, plus I found the most amazing fresh pasta shop; waddled home with a bag full.
They say you should follow your dreams; life is too short, and you only live once… you know all the rest. For most of us we say these things and don’t do it, or at least not in any way that truly constitutes following a dream. But I’ve sailed too close to death myself and lost too many others, wondering what is coming next, to hesitate anymore over what has on one side been a tortuous 10 months of selling, decluttering and getting rid of over half my possessions, not to mention an awful lot of shoes, while on the other looking forward to a life in Umbria. Time can be a storm in which we allow ourselves to be lost, but it can also be one that brings us joy, gelato, homemade pasta and all the Aperol’s. I’m going with the latter.
And to end appropriately with a quote from one of my most favourite songs;
Ah, might as well jump (jump!) Go ahead and jump Might as well jump (jump!) Go ahead and jump
No, not that kind of breakdown, I mean the sort where we look at our emotions, take them as categories, if you will, of feelings and our response to life situations. Examine them like an emotional science project. What causes us to feel like this, and we’re talking the good, the bad and the ugly here.
Zero apologies for using this image
Can we square up to them and see what’s contributing to our emotions and how when we need to cope better or even just a little, how do we do that. Well, this is my take on all of this, so if any of this helps spin that wheel of emotions, read on as I’m going to take a little dive into some of the following.
What’s contributing to this
How does loss grief impact us
Are emotions whatever they look like, okay?
What has helped
Why do we push through
Coping strategies
I finished my last blog with how music and also notably bad dancing lifts me up and how in addition, I guess, writing and art are important to me. Not just as coping strategies but also just as part of who I am. They are a core that runs through personality, I try and see life around me as art, whether that be my shoes, a plate of food, a painting, an advert, the way someone moves, life is all about art, and without it we become lesser beings. In my view anyway. Paul Cézanne the French Impressionist painter when he wasn’t swigging Absinthe with Vincent Van Gogh, summed this up, perfectly.
“Life is art. Art is life. I never separate it”. Cézanne
I curated an art exhibition once, it was one of those times in my life I will never forget, I got to organise and buy art for an incredible gallery in London. It was my kid in a toy shop moment. Making it all work, look right, sell right I just had the best time those weeks of planning and proofreading, learning how to hang not to mention carry a life size lion up The Mall. So, ask me again what helps me push through, what’s one of my coping strategies, it’s invariably a painting so beautiful it makes my eyes leak. Whether you like a painting or not, it should conjure some emotion, even if it’s just a snigger, and you see that’s that flipping emotional wheel exactly to a tee. If something helps you, you use it, if it doesn’t find your thing and hold it close for when you need it.
I was watching an Italian series on Netflix the other day, it’s called Storia della Mia Famiglia, (The Story of My Family) and I highly recommend it, even if you need subtitles. I’m not going to go all waxing lyrical about my own family, but the series is a masterpiece in what life is like, the shit end and the bloody funny end. It tracks across a vast array of human emotions, taking in grandma to the children, it somehow (spoiler alert), meshes in drug use, mental health, cancer, death, fear, self-forgiveness and the importance of dancing or at least finding your equivalent thing; remembering what gives you joy or calm, peace or a smile etc, That it is okay to grieve, to worry to be angry and to also (as this was Italian)… throw plates. Italians do emotions out loud and, in the film, each character encapsulates all the sentiments we can think of on that pinging back and forth emotional wheel.
They lie to each other, they are angry, exasperated, happy, hopeful, impatient (of course), they show contempt and are judgemental, even the nuns upstairs are included with their gratitude, sense of humour and belief. But this shows us with every moment, that they are all real emotions, and they are all part of life.
Then the main character dies (more spoiler alerts), with the story moving between before and after his death and how he knows each of his family will suffer, but also how he knows them and what might be their way of coping, not forgetting him, or not feeling sad but of a way to see the light. What emotions he aligns with each of them and how he can get them to see, after his death that they can be happy again. He gives them each the gift of a personalised coping strategy, in asking them to tell him what they love about him, it’s his way of opening their eyes to help them when he is gone.
He says this so perfectly with the words.
‘Ragazzi quando sembrate tristi semplicemente ballate,
ballate perché quando ballate la tristezza si disintegra’
(Kids, when you seem sad just dance,dance because when you dance the sadness disintegrates)
So how would you describe yourself, be honest? People tell me I am funny, confident and smart – that I have great style. (I spend a literal fortune on shoes, I’ll have you know). But I don’t see myself that way, well not always. Been times when I have felt like I am sitting on the outside of everyone around me. They’re in the middle having fun, chatting, getting on, I’m looking for a quiet corner alone. I thought this was because I thought no one liked me or wanted to speak to me, or that I didn’t know how to articulate my feelings, my brain didn’t know how to even begin to express all of this.
Somewhere in the middle of all of that, I think I’ve realised that I did as a child, on occasions, feel stupid, plain, less well behaved, less valued. So, I backed myself away into that quiet corner, over and over again hoping no one would see me or notice. Then I could disappear and not have to face someone telling me again I was less than them. Eventually, I didn’t know how to get out of that corner, so for so long I stayed there, thinking that it was my safe space, but the truth is, that all that corner did was solidify those feeling of being ‘less than’. That it was in fact contributing to how I was feeling. It didn’t matter if they wanted to sit with me or not, it was about how and why I was feeling. It was about allowing myself to accept the bare minimum. What has helped, apart from Fausto getting us all to dance (and he was right by the way). Recognising those emotions and then unlearning those behaviours is vital, knowing that they were never too much.
You know what else; everyone is scared sometimes and that’s okay. At least I’m not always alone in my corner. The film uses all the emotions and gives them all free range to be what they are, and it also teaches us that happiness and joy and all the other thoughts and feelings, however big or small things have a place. That mental health, fear, sickness, love, openness, humour, etc are all normal they are all 100% bloody okay.
This is all about finding a way to turn around and look at life’s emotions in a different way, which has at times been very hard and I’ll be honest at times I didn’t even know it was possible or a thing. I just thought that corner was where I belonged. But now I have to trust myself to turn up the music; to find my tune and to trust that not everyone wants to see me alone and that indeed if they do, they are not worth my time or my joy. My joy is all mine, better still, it is actually there in front of me, not behind, or in that sodding corner.
A real lesson in that Italian series was that sadness can be a good thing, like any emotion, and I mean any of them. Do not shy away, you just need to look hard at it, without fear and discover what is causing those tears or a downturn in your smile, is it grief? And that is totally okay to feel loss and sadness, to be bereft of someone you loved. We need that to understand how to feel happy again. To find a way out but without being scared of going back. Sorrow, sadness or even fear are all emotions that we should respect and sit with them while we can see why and where and how. Then we can find the love again, but knowing that sadness and all the other emotions will pop their heads in from time to time. When we are really happy, and calm and at peace, what and why are we feeling that, can we pop that down in a notebook, can we take a photo to capture it? So then we know when another day or week is causing us to feel the flipside, we can use that time of happiness to cope.
I’ll give you one of mine, (back to music again, by the way). A few years ago, I went to a Peter Gabriel concert, anyone who knows me will tell you he’s my all-time favourite. I’ve not missed a tour since I was 16. I’d been given VIP seats; 4th row from the front and to see the soundcheck and meet Peter. I was beside myself, but then it got way better, I got an email asking me to be on camera for a film they were making about the tour. Not only was the whole evening amazing but just look at my face. I’ve popped that whole evening in the coping bucket, it’s there when I need it and it’s there when I don’t just to make me love that whole concert all over again.
‘This is the new stuff (This is the new stuff) I go dancing in, (We could go dancing in)‘
From Sledgehammer by Peter Gabriel
But back to emotional stuff, I wonder sometimes if grief is so hard because we have to eventually find a way to even let go of that sense of loss even a little, in order to have a better life ourselves. But that very letting go, can maybe seem like you have forsaken that memory, but the truth is maybe a little different; what if that letting go was just allowing our pain to ease but that we never forgot the good times and that we take inspiration from those moments.
When we experience a traumatic event, we can sometimes pre-empt any kind of joy, by a sense that it won’t last, or that it might be too good to be true. It’s our way of self-preservation. On the days when our hearts feel full, and to others we seem really happy, we have that sense in the back of our minds that it will be stripped away from us. The thought of this happening can be so detrimental, adding to that cycle – and we can be especially vulnerable to this if you’ve had your happiness crushed by someone, or lifechanging trauma. It becomes like a constant state of preparedness, the bad news, the let-down, for something to go wrong. It makes that corner a safe space, in both our hearts and minds.
Working towards hoping for the best and allowing it to happen if it does is a step forwards. But also understanding that a bad day, doesn’t mean a bad day, every day. But this hoping for and that state of preparedness can trap you in a constant ‘pause’, from life, from, well… from being entirely there in that moment. Think back to me in my corner, what might be your equivalent.
Not wanting to go all psychoanalyst here, but you know what I mean, if you have one foot on the brake, you can never actually drive down the road into the proverbial sunrise. And as Fausto rightly said, when you dance the sadness disintegrates. Its understanding that balance, that need to let go, to remember what it feels like to ‘dance’ or whatever your release is, and to know that it is perfectly okay to feel crap, to process that and to understand what that crap feels like, but also allow yourself to have that dance, it’s your life after all.
And so that’s the point of this one, is that no matter how back to front we feel (Peter Gabriel fans will get the pun), or right way around, or inside out, its actually the right way, for right then. Whatever brought us to that space in time, is right where we are meant to be. And trying to do what I usually do, and block any fearful feelings is not what the universe has in mind, we’re supposed to sit there and experience all the fun, the crap and the in between stuff. Its life.
If you don’t learn how to embrace your emotions when they happen when you feel them, then to protect yourself you go and sit in that corner, and stay there until you find your song, your light switch, your poetic confidence, your favourite shoes, the beauty or energy to see it and not hide from it. Because that hiding keeps it there, trapped, and each time you don’t look at that moment of less than perfection, square in the face, no matter how hard it is… well guess what, it just grows each time you add another piece of sadness, anger, worry… grief. The bucket gets deeper.
If you were lucky enough to grow up with someone who showed you that it was okay to be sad that if you felt sick that was okay too, you had support, someone to explain and sit with you, rather than maybe gaslight or even punish. Not everyone keeps their dream job or has a parent who tells them how amazing they are, passes all their exams and doesn’t miss their train on a cold dark night. Although it may seem like one more thing, or a why me moment… it is absolutely okay if you feel like crying, hiding or even running away. If you hold all that inside you, all those things you hid from in your corner, that pain let me tell you is a sneaky joy sump right there. But you can come back. You can always come back, that’s okay too. It’s life isn’t it. The ups and the mother fucking downs. If you need help or just a hand to hold. Ask for it and keep asking until you find the right support. We don’t always meet the right person first time you look for love. Same goes for support, sometimes the strangest opportunities and people fill that space for you, when you’ve felt others have let you down. I’m telling you, don’t give up.
To finish up with some emotional cheese. How can you help deal with foreboding joy?
Practice gratitude: Try writing down what you’re grateful for and why you’re grateful for it
Practice mindfulness: Pay attention to the present moment
Thank your worries: Acknowledge your worries and dread, and tell yourself that they’re no longer needed
Stay until your love is, alive and kicking
Stay until your love is, until your love is, alive
Last week I was heading into London to get my hair cut, I parked my car at the station and headed over the footbridge, there is a lovely view for miles down the straight track, with the South Downs in one direction and the castle in the distance in the other. But last week, there was young man standing crying, and I mean really crying. His face was red, and his eyes were that blotchy swollenness, that told me he’d been sobbing for ages.
I stopped and asked him if he was okay, and the flood gates opened as he cried even harder while he told me his father had died and he just couldn’t stop the tide of grief, it was constant, and he was broken with abject sadness.
I noticed someone from the station staff edging closer, and I realised the potential seriousness of the situation. But I kept talking to him, and I gave him a hug and said how sorry I was, and said he was obviously really close to his dad, and how special he must have been to him. He then told me, that his father had passed two years ago, and he just was not getting beyond his overwhelming sadness. I could see the panic in his face, as he felt literally trapped and had no way of knowing which way to go with his pain.
I shared with him my own sorrow, that my father had died some years ago and that grief has no timeline and it’s always okay to cry and to miss someone so much your heart feels like it’s cracking open. How the smallest things will set you off at random, for me it could be at a supermarket and seeing a massive bar of Cadburys wholenut, my father’s favourite, or just simply out of the blue for no reason other than my eyes just decided to leak like their life depended on it. The times I have stood and turned my face away from others, as the loss of my father was overwhelming, not wanting to share my hearbreak. But it’s okay, to miss someone you loved that much.
I offered him my Mars bar as by this point, I was trying to keep him talking and distract him; he had a dairy allergy. From my other pocket I produced an apple… he laughed a little through his tears. I said I always have a small buffet on me for emergencies, you never know when you need a snack.
I asked him which train he was getting, and it was the same as me, so I asked if he’d walk with me (sneaky distraction technique) as I had bad knees after my surgery. As we walked, he told me how he used to work with his father, and they lived together and bit by bit the love he had for him just spilled out of his every word. He was absolutely broken with grief. A few more words and tears, and he told me he was going into London for a medical appointment as he’d injured his neck in a bike accident years ago, his dad would have gone with him, they’d have had a day out. Now he was on his own. If you could ever tangibly feel sorrow, it was in that moment.
The train came and we got on, I could see he wanted to sit alone so I just sat a few rows along and let him know if he wanted to come and sit with me if he just wanted the company that was okay. He showed me a photo of him and his father, must have been a family wedding, peas in a pod and both so happy. I showed him one of my papa and me, and it all of a sudden reminded me that this month was the anniversary of his death. In that second, I realised that I hadn’t just helped him, he’d helped me as well. By sharing my experience of grief, I’d put into words how I feel and also how I try and manage those raw emotions when they do hit me. And they still do. Often.
He wanted to know if it gets easier, not really, I replied, but somehow you learn to cope with it, most of the time. But there are also days when it just is okay to cry and feel that your heart won’t be the same ever again. I like to think it won’t, in a way I think that’s how it should be, when someone you loved that much passes.
One of my favourite films has a quote at the end, which puts this into far better words than I can … and I’ll paraphrase, as it’s in Italian;
The secret of memories, is that everyone leaves a trace of themselves with you.
That way you are never alone.
(from La Finestra di Fronte)
They say that the most important light is the one that you cannot see. That there is so much to life that goes unnoticed, and while it’s unbelievably hard some days to recognise positivity, it’s there. There will be days when that light helps you go forwards, like some sneaky torch just leading you on a little bit nearer to the hope that life can wrap sunshine all around you. But also, that loving someone and missing them is entirely okay, just know that there will be days when you can feel life is good.
As a creative copy writer, my thoughts always veer towards the opening line – the how you engage, hook, and interest your reader and audience. But recently and for the worst kind of reasons, I’ve started thinking about those last words, their impact, their outpouring of emotions or are they stifled and trapped inside, taken with us and leaving a space of doubt, hope and a helpless void for the one left behind. In whatever form that takes.
How do we want to end what we say – be it that last sentence in a blog, book, press release, words to our family as we leave in the morning, or those actual very ‘last words.’
A friend of mine is struggling to breathe, cancer is consuming her, and she is giving it her everything to stay here and live. Keeping on talking to our little group of friends in our WhatsApp group. She’s written letters to leave behind and a book of instructions for her funeral. She’s prepared in all the ways she can, apart from the sadness of knowing it is hurtling towards her and what to say, what can you say? But say you must.
Over the years I have become a firm believer in telling people that you love them, showing them that you care – they are in your thoughts. You don’t always get that other chance to say or show it, when that moment, that breath of tangible air sits between you and the other to speak your truth. And that is how my friend is living, what I hope will be more than her last days, but I’ve told her – in the middle of the night when I know she is awake, IV stuck in her vein; on a card, on a call – I’ve shared how I feel about her.
When you are writing, recording, filling in those blanks in your email or whatever, think about what you are saying, and not just how it starts, but how it finishes. What will you leave in that space at the end, what do you want to say that counts.
Then write it down and say it.
For Jenn.
All our love and all our pain Will be but a tune The Sun and the Moon The wind and the rain Hand in hand we’ll do and die Listening to the band that made us cry We’ll have nothing to lose We’ll have nothing to gain Just to stay this real-life situation For one last refrain.
Songwriters: Nicky Holland / Roland Orzabal (from Famous Last Words)
Apologies for the lack of posts over the last month or so, I got Covid for the first time. Made it all through lockdown and then boom…Happy New Year. Then right after that kidney stones. Well so far 2024, has been a proper laugh.
But today, I don’t want to talk about me, I want to talk about communication. Not just those verbal things we utter, but also how we say things, how we express ourselves, how we write, and how do we put those words into non-verbal communication.
And yes, as always for me there is a song to accompany my thoughts on this;
In the day, in the night Say it right, say it all.
Songwriter: Nelly Furtado
And by say it all, I’m talking about those times when we assume that the other person knows what we are saying, so we leave out huge chunks. Sometimes this is true – they can read our minds, knowing us all too well – but when it isn’t so, and they really do not know what your all is. You may not get that second chance, to say how you feel, if it’s important enough to you to your brand or whatever, then speak your truth.
Saying it right is equally as important as the words themselves, do you need to choose a time when it is quiet – just the two of you, or do you need a meeting room and some preparation to ensure everyone engages with you? If you would love that person or people to remember your words, to read what you have said and know it, then preparation can sometimes be as important as grabbing that moment as impulsively as any runaway emotions. But ultimately when Nelly said, ‘say it right’ she was not wrong.
Imagine if a friend comes round to see you, you’ve been really looking forward to catching up, maybe you’ve cooked dinner and tidied the house. But when they turn up, they don’t even greet you or acknowledge you, rather they just blurt out why they have had such a godawful journey and just talk about themselves for the next 20 minutes. Not even a hello how are you. Okay, worst case scenario here, you give them dinner to take out and wave them off on what you will probably now hope will be an equally bad journey back. Or do you explain how you feel – remember, communication is a very big two-way thingmajig?
Conversation, words and visual communication all form the building blocks, the crucial foundations of what we want to say. Leave a bit out and suddenly you have a gap, a chance for missing the point, omitting what matters to you, what might be most important and valuable to the other person. A raised eyebrow or a wry smile can say everything we need to, when that person knows you. That expression can catch them and bring you together in understanding what the other has to say.
These two photos were taken moments apart, but look at the difference in those two moments and the expressions and the communication that took place when they faced each other and made that moment matter.
Namibia, 2010
Communicating can be as eloquent as letting people know that they look great, that you have made their day or that their shoelaces are undone – are all part and parcel of what makes us human. What makes us want to look and listen and understand. Have you ever had a stranger just tell you, that they love your outfit or that your kindness made them smile and feel seen? Communicating our feelings and our wishes is as much a part of being in the human race as it is important to our minds and our understanding.
With the advent of social media now totally entrenched into our lives, it can become more complex still – what font are you using, what colours, is your text in Comic Sans, centred and looking like a church hall tea party invite, or were you after something more captivating? You have a short time frame to grab their attention, but also if you want someone to know that your product is 100% vegan, or that you are only open on Mondays from 2pm – 4pm, then you need to say so.
And before you hit send, check your punctuation….
As usual, I will finish with another eloquent song lyric.
… I’m just a soul whose intentions are good Oh Lord, please don’t let me be misunderstood.
Songwriters: Bennie Benjamin / Gloria Caldwell / Sol Marcus (The Animals)
Someone asked me the other day about what I love most about writing, honestly, I think it is about telling a good story – getting underneath every layer of it, whether that is my story, your story, a brand, a moment in time, an emotion, or a song.
That got me thinking about the importance of song lyrics and how for many of us we connect to moments in our lives with music; whether we were on holiday, a broken romance, a truest love or a long journey with the window down, rain trickling through the gap while belting out rock n roll, so loud as we stay awake for those last few miles home.
I was driving around the M25 one evening, heading towards East Sussex, it was the day after Meat Loaf had died, in a year when way too many people had lost their lives to the pandemic that was 2020 and 2021.
I had remembered when the story broke on the news, about a time when I was singing one of the songs from the Bat out of Hell album, the duet with Marion and Meat, really (really) badly with one of my school friends. It was just after the record first came out; we were all obsessed with it. I even had Bat out of Hell on a 12’’ blood red vinyl special edition. Anyway, I was Meat, as back then I had all the hair. We were appalling, me especially, I have never, ever been able to hold a tune – but we loved the album and the unrelenting passion it had for life, love, and those skin-peeling raw emotions. It was bare your heart out stuff and that’s right where we were as angry teenagers. We were living life loud and with nothing held back, at that moment, dancing on the desks at school.
I think I could genuinely think of a music lyric that connects any emotion to a song, that has in turn meant something to me. It seems completely right when explaining why lyrics and my love of writing are so interconnected as they join those emotions and passions – with barely a visible seam, pressed together sharing words in that moment. I guess, what I want to say more than anything else, is that even when we are at our lowest point, or conversely, even when we think life couldn’t top that precise moment of joy, when telling and living our story, that there will always be so much more.
You just need to find it and live that second. Like a bat out of hell.
And I think somebody somewhere must be tolling a bell And the last thing I see is my heart, Still beating still beating Still beating still beating Breaking out of my body, and flying away
Like a bat out of hell
By J. Steinman
With thanks to Marvin Lee Aday, for allowing me to realise what a good story really means.
While I am no scientist, although I did used to read Gray’s Anatomy in the bath, as there was invariably a copy lying about the house, and once I dressed up my brother’s skeleton on the dining room table. That aside, my skills are more on the right side of the brain, I’m the arty creative one in the family. But that doesn’t stop me from having a huge heart and wanting to use my skills to improve patient to physician communications, to encourage better understanding of treatments, drugs and ultimately to improve the health and lives of others.
Grays Anatomy
Years ago, I spent a year studying anatomy and physiology, then another two years training as an aromatherapist and complementary healthcare practitioner. Consumer health for me is a page that should not be left unturned. I spent many hours while living in New York as a First Responder and was part of my towns Emergency Rescue Squad. Weekends saw me driving the ambulance and supporting the crew on everything from bar brawls to transporting critical care patients to high level facilities.
While working for a herbal tea company for about 18 years, I promoted it’s health giving properties – notably for digestive issues and benign skin conditions. I collaborated with dieticians, herbal practitioners, writing and even speaking to nursing staff on continence care. I raised thousands for causes in South Africa, where the tea originated, aligning with key UN Millennium Development Goals around healthcare – in particular, HIV, Malaria and TB. I also volunteered for a year helping a London women’s charity, with their social media on FGM. It was harrowing interviewing and meeting women who had been cut, but each time it just reaffirmed to me that I was using my writing and marketing skills in the right way.
Eventually the pull was so strong that I made a huge decision to step away from the brand world and retail marketing and step into working for health agencies as an Account Director. It’s been tough during Covid (timing wasn’t my strong suit!) but the ingenuity of the teams that work across medical education, digital platforms, media, new drug launches, patient and practitioner campaigns, is endless and never ceases to amaze me and to feel incredibly proud to be part of changing patient outcomes. It has without question given me a fundamental sense of purpose, a long day becomes something incredibly worthwhile, an early meeting has focus, all the while working with a team of like-minded people.
My advice to you is that you should always follow those dreams and passions. Because those goals are what you aspire to be or do, they give you a sense of meaning and purpose.
Your dreams are something that drives you on those long days. By following your dreams, you’ll become a better and happier person all in that one process.
‘Let your heart guide you…it whispers so listen closely. ‘
WALT DISNEY
Sometimes it may feel that your situation doesn’t allow you to fully pursue your dreams, but often there are some tiny steps that you can make – and many tiny steps are as good as one big step. My tiny steps were training in anatomy and physiology, finding ways to use my love of the written word combined with marketing skills to support those in need of better healthcare. Remember when it feels hard that this is your dream and inspiration.
Find what not only makes your heartbeat but what knits your heart and mind together.
“The beginning is the most important part of the work.” – Plato
I’ve recently had a new start, of sorts that is. My mother’s side of the family are by and large Maltese, with a bit of Italian, Portuguese and we think North African thrown in somewhere back in the ancestral brew.
My mother died several years ago now, and although she was born in Gibraltar she had a strong connection to her parental line and family in a little village called Zejtun. Her father had smuggled himself on board a ship as a young man to Gibraltar, in search of a better or new life. He was sort of adopted by a Maltese family, they took him under their wing as it were, as a fellow Maltese. He fell in love with one of their daughters, my grandmother and the lady who gave me part of my name.
My mothers’ side of the family. My grandmother, is back row on the right in front of the tree
Family is also important to me, I have three brothers and a long list of nieces, nephews and a godson. But making that link back to Malta is a thread I began a couple of years ago. I’ve spent hours on-line and scouring microfiched documents of time-faded, priests writing in scribbled ledgers, dating back over 100 years. I needed to find and secure three generations of family certificates to begin my part of this story. Over the course of several months I managed to get all the information and documents I needed. There were some sad stories in there; my great, great grandfather Salvatore, died at Gallipoli, before his daughter my great grandmother was born. The ravages of war never getting any easier. But by way of balance, a funnier tale was that my grandfather was a coal heaver, he carried hefty sacks of coal daily onto the steam ships in Gibraltar dockyard. Years later he was permanently bow-legged from the weight and duration of his job. But back to the here and now, when his marriage certificate came back, a hasty admin clerk had clearly misread his employment and he was down as a goal keeper. Which given the state of his legs, never mind the lack of a football ground in Gibraltar in the early 1900’s made this ironically, very funny. He was a particularly colourful character throughout his life and he would have laughed his head off at this typo.
Coal Heavers in the Gibraltar Dockyard (Gibraltar History Archives)
But onwards to why I am telling you this story, I wanted to make that connection to my roots, our past weaves it’s way through into who we are today. From the stellar Maltese family eyebrows to an arm full of aunts who hugged you and pinched your cheeks and an uncle who had the most amazing handlebar moustache and would drive me around southern Spain in his taxi, singing while we played his Maria Callas cassettes over and over.
Last year I finally gained my Maltese Citizenship, the next step towards my passport was to go and register my birth in Malta. I made a quick trip over last week, to do just that. Sat in the waiting room with my ticker-tape number in the queue and in scenes not un-reminiscent of the Netherworld waiting room in Beetle Juice, I sat and waited with a folder with my apostille certificates.
Beetlejuice Netherworld Waiting Room
I’ve only ever met one other person with the same name as me, and technically he was a Mario Angel, but the lady who saw me at the registration desk was also a Marie Angela. Then she told me, my birth date was the same as her brothers, and we began chatting like old friends. That’s the Maltese for you, we all make each other feel like family.
Haberdashery in Valetta, my aunts used to spend hours making lace.
So my point is, there is always a day and a time to start over again, in some way or another. Not just to know who you are and where you are from, which is one thing, but to have that certainty that as Plato once said, ‘the beginning is the most important part of the work‘, and I’ve just had a new one.
Write Up My Street 